![]() ![]() Compounding the connection difficulty, Mia's mental detachment from bodily sensations resulted in this reader sharing in that disengaged point of view. So I erected an immediate mental wall against the idea of becoming attached to them, even when Mia starts the getting-to-know-us flashbacks to show readers why they should care that these people are now dead. It sounds callous in a sense, but I didn't really get a chance to know them or decide if I cared about their fate. The primary difficulty arose because the car accident happens so very early on in the book, we've barely been introduced to any of these people who's lives are then cut short. But I'm sorry to say the approach didn't really work for this reader. ![]() This book took a unique, non-formulaic approach to telling a story-I have to applaud it for that. With her entire family dead and her consciousness seemingly thrown from her mangled, comatose body, will she choose to return alone to the world of the living or finalize the separation to join the unknown fate of her loved ones? This was a quick read, with minimal emotional investment-despite the heaviness of the premise.ฤก7-year old cello prodigy, Mia, faces an inexplicable choice in the aftermath of a horrific car accident. ![]()
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